A. He died from diabetes in between its recording and release. Though he never achieved the same renown as some of his peers, and health issues eventually caused him to slip out of the spotlight, the trombonist had a vision as vital as any of his sessionmates. Still "The New Thing" - Exploring and Celebrating Free Jazz. B. Figi, "Cecil Taylor: African Code, Black Methodology," Down Beat, April 10, 1975, Howard Mandel, "Emperor of the Senses," The Wire, June, 1994, Optional: Damon Short, "The Music of Cecil Taylor" [annotated discography], Matthew Goodheart, "Freedom and Individuality in the Music of Cecil Taylor", Dixoniana: A Bio-Discography of Bill Dixon, Ben Young, compiler, 1998, Listening Assignment: "The New Thing" CD3: tracks 9-10, (Film clips in class: Burning Poles (Cecil Taylor)), Week 8: Albert Ayler and The Problematic of Free Improvisation, Jeff Schwartz, "Albert Ayler: His Life and Music", Ekkehard Jost, Free Jazz, 121-132; 84-104, Optional: Derek Bailey, Improvisation, 1991, Ingrid Monson, Saying Something: Jazz Improvisation and Interaction, 1996, Roger T. Dean, New Structures in Jazz and Improvised Music Since 1960, 1992, Paul F. Berliner, Thinking in Jazz: The Infinite Art of Improvisation, 1994, Charles O. Hartman, Jazz Text: Voice and Improvisation in Poetry, Jazz, and Song, 1991, Narada Burton Greene, Memoirs of a Musical: Pesky Mystic, 2001, Listening Assignment: "The New Thing" CD4: tracks 1-9, (Film Clips in class: Steve Lacy, Lift the Bandstand, "October Revolution" ( celebration at the Fez), Week 9: AACM, the Jazz Collectives, the Black Arts Movement, and the Second Wave, Val Wilmer, As Serious, 112-126; 127-152; 191-209, George Lewis, "Experimental Music in Black and White: The AACM in New, York, 1967-1985," Current Musicology, no. 369 likes. None of this might have happened if Coltrane wasn’t taking a blowtorch to jazz convention since the late 50s, later leaping into the deep end to challenge traditional notions of rhythm and harmony on Impressions (‘63) and Crescent. Her work appears regularly in DownBeat, Jazz Times, Offbeat and the Gambit, among other publications, and she leads the New Orleans chapter of the Jazz Journalists Association. Is a history of deep Jazz in the USA. Nevertheless, jazz syncopation struck nonblack listeners as fascinating and … Bibliographical Note: The best bibliography (though now a bit dated) for this course is: John Gray, Fire Music: A Bibliography of the New Jazz: 1959-1990, 1991, See also: A Free Jazz: A Selected Annotated Bibliograpy, http://www.alexia.lis.uiuc.rdu/~bjallen/freejazz.html), Made in America: The Life and Music of Ornette Coleman, Rising Tones Cross (Marion Brown, Roswell Rudd, John Tchicai, Alan Silva, Burton Greene, Joseph Jarman, Baikida Carroll, William Parker, Matthew Shipp, Susie Ibarra, Dennis Charles, et. That’s been amended now. The seeds were sown early in the decade by visionary outliers like Cecil Taylor, Sun Ra, Ornette Coleman, Lennie Tristano, Charles Mingus, Jimmy Giuffre, and especially John Coltrane. and Blue Note Records. Impulse Records is the legendary label that proudly delivered the "new thing" in jazz in the 1960s: avant-garde records from the likes of John Coltrane and Pharaoh Sanders. al), Week 1: Introduction: Problems of Musical Style and Evolution, Week 2: The Experimental Tradition of the 1920s-1940s: Red Norvo, Stan Kenton, Lennie Tristano, Dave Brubeck, Listening Assignment: "The New Thing" CD1: tracks 1-7, (Film clip in class: Lennie Tristano Solo: The Copenhagen Concert), Week 3: 1950's Precursors: Jimmy Giuffre, George Russell, Charles Mingus, Teddy Charles, Kenny Graham, Gil Melle, Duane Tatro, The Third Stream, The Lennox School of Jazz, John Coltrane, Rahsaan Roland Kirk, Val Wilmer, As Serious as Your Life, 19- 45, Ekkehard Jost, Free Jazz, 17-34; 35-43; 78-16, "A Jazz Summit Meeting," Playboy, February 1964, 29-31, Graham Lock, Jimmy Giuffre: Coming in from the Cool in Chasing the Vibration, 1994, Listening Assignment: "The New Thing" CD1: tracks 8-10, 14. He satiated that desire with the aid of players who would become the movement’s vital organs, including young vibraphone hotshot Bobby Hutcherson, teen drum phenom Tony Williams (already a veteran of Miles Davis’ band), and trombonist Grachan Moncur III. Impulse Records is the legendary label that proudly delivered the “new thing” in jazz in the 1960s: avant-garde records from the likes of John Coltrane and Pharaoh Sanders. Valerie Wilmer, As Serious As Your Life: The Story of the New Jazz. ... Another thing that sets jazz … arrived the next month, with Hutcherson, Davis, and drum doyen Elvin Jones. But Shepp’s 1964 LP Four for Trane had already taken his mentor’s music places not even Coltrane had envisioned. Even the jazz bible, Downbeat magazine, flung terms like “nihilistic” and “anti-jazz” at Coltrane and Coleman. It was recorded four days after the recording session for Coltrane's album Ascension, on which Shepp appeared, and is one of several albums documenting the end stages of Coltrane's "classic quartet," which would begin to break up by the end of that year with the departure of McCoy Tyner. Jazz at Lincoln Center is dedicated to inspiring and growing audiences for jazz. Get the latest jazz news straight to your inbox! , Your email address will not be published. Nobody called McLean or Hill or Dolphy New Thing. He wrote the lion’s share of the tunes on One Step Beyond and its follow-up, Destination… Out, from the spooky, film-noir chord changes to the jittery stop/start tension, Moncur was a master at setting an offbeat, exotic mood. Save my name, email, and website in this browser for the next time I comment. They gathered strands of Eastern and African sounds, classical constructions, and avant-garde ideas, and brought them to the jazz bandstand. Miles Davis. Nice article, but the premise is flawed. Thorny but blues-informed melodies and science-fiction chord changes underscore the influence of Thelonious Monk (an early mentor of McLean) on the New Thing. “Jazz Thing” was released as a single for the soundtrack of Spike Lee’s 1990 jazz film Mo' Better Blues. The New Jazz Thing with Vince Outlaw!, San Diego, CA. It remains one of the most revered, influential residents of the jazz canon, and the ne plus ultra of the New Thing era. Looking forward to the article in The Wire. 1-9;77-215 (pp. ... New Releases in Jazz #1. After the New Thing vigorously shook up the soda bottle, jazz exploded into multiple directions – free jazz, fusion, and the next-level abstractions of the Association for the Advancement of Creative Musicians (A.A.C.M.) In 1986, with two decades’ worth of hindsight, respected music journalist Robert Palmer wrote in the New York Times, “The avant-garde jazz of the 1960s, that initially chaotic-sounding assault on traditional notions of harmony, rhythm, and structure, has stayed the course, gone the distance.” But none of it would have been possible if a loose-knit coterie of jazz adventurers hadn’t forsaken old ways for the New Thing. Ed. The world-renowned and beloved New Orleans Jazz & Heritage Festival draws hundreds of thousands of visitors and locals enthusiastically celebrating the cuisine, music and overall culture of New Orleans. Sports and fitness Exercise classes Navarre. WDCB Public Radio is Chicago's home for jazz, blues, news, and more! With the world-renowned Jazz at Lincoln Center Orchestra and a comprehensive array of guest artists, Jazz at Lincoln Center advances a unique vision for the continued development of the art of jazz by producing a year-round schedule of performance, education, and broadcast events for audiences of all ages. That summer, Hutcherson, and Williams both turned up on an album that did more to plant the flag for the new sound than almost anything else: Eric Dolphy’s Out to Lunch. There are many jazz festivals the whole world over, yet there is only one of the genre in the city that birthed it: the New Orleans Jazz & Heritage Festival, which is celebrating its 50th anniversary in 2019 and will take over the city during the last weekend in April, the first weekend in May, and pretty much all days in between. Thanks for the catch, Howard! 3) Full participation in reading, viewing, and listening assignments and in discussions, (Graduate students may also be asked to do a seminar presentation), Ekkehard Jost, Free Jazz. $9.49 #3. 4.5 out of 5 stars 8. Amazon.com New Releases: The best-selling new & future releases in Jazz. Four Jazz Lives. B. Spellman. The Newport … Jackie McLean’s One Step Beyond was one of the first out of the chute that year. on Discogs. Required fields are marked *. on Discogs. 13-74 (on Sun Ra) are optional, Optional: Graham Lock, Forces in Motion: Anthony Braxton and The Meta-Reality of Creative Music, 1988, Mike Heffley, The Music of Anthony Braxton, 1996, Week 6: Ornette Coleman, Cecil Taylor, The October Revolution (1964), Read: "Racial Prejudice in Jazz," Down Beat, 1962, Archie Shepp, An Artist Speaks Out Bluntly, Down Beat, Dec. 16, 1965, 11+, LeRoi Jones, The Modern Scene in Blues People, 1963, 175-236, "Point of Contact: A Discussion," Down Beat Music # 66, 1966, Val Wilmer, As Serious, 60-74; 213-240; 241-258, A. Like so much of jazz history, it mostly went down in New York City. In 1965, adventurous jazz lovers jolted by Hutcherson’s work with Dolphy and Hill got a thousand-watt blast of the mallet maverick’s brilliance on his bandleader debut, Components. It also helped jazz cross over to a larger audience; quite a few flower children bought Impulse albums. Lyrics to Jazz Thing [Video Version] by Gang Starr from the Music from Mo' Better Blues album - including song video, artist biography, translations and more! I’ve written an article about Spaulding to be published in the March ‘21 issue of The Wire. Jackie McLean’s One Step Beyond, Grachan Moncur III’s Evolution, and Andrew Hill’s Point of Departure – the mid-60s movement in jazz known as “the New Thing” was all about taking the music to the next level. New Orleans Jazz Fest Photo by David Fary. Andrew Hill’s subtly subversive Judgment! Coltrane had taken young tenor man Archie Shepp under his wing, who contributed to the album’s sessions, though they didn’t make the final cut. What is it: Covering 1,300 verdant acres, City … NY: Hyperion Press, 2001. Alto man McLean had been a hard-bop heavyweight since the 50s, with more than 20 albums to his credit by ‘64, but Coltrane and company whet his appetite for change. based around the Art Ensemble of Chicago. how could this theory be written without cecil taylors inclusion?? I Told You So Delvon Lamarr Organ Trio. Travelers favorites include #1 Frenchmen Street, #2 French Quarter and more. Decomposition: Post-Disciplinary Performance, Sue-Ellen Case, et al., eds., 2000, Listening Assignment: "The New Thing" CD2: tracks 8-10, (Film clips in class: Art Ensemble of Chicago Live From the Jazz Showcase; MediumCool), Read: John Sinclair, "Self-Determination Music," in Music and Politics, 1971, 32-68, Jack Cooke, "The Lone Arranger," in The Wire. There had been other post-bop developments, from cool jazz to Third Stream, but the New Thing pushed jazz ahead like nothing had since the 1940s. It didn’t go down easy with the purists at first. With a frontline including two of the movement’s most audacious minds, trombonist Roswell Rudd and flugelhornist Alan Shorter (sax star Wayne’s brother), Shepp deconstructs and rebuilds Trane’s late-50s compositions in a brainy-but-visceral modernist mode. Hutcherson, McLean, and Williams all turn up on Moncur’s debut as a leader, Evolution, released just a few months later. “If Moncur had perished 40 years ago in a car crash, or become one of jazz’s junkie-poets, he might be a legend today,” claimed Adam Shatz in the New York Times in 2003. ‘The New Thing’: The Subversive Bridge From Bop To Free Jazz The method of flight was different than what the faithful were used to, but in the mid-60s the New Thing did for jazz what Cubism had done for art about half a century earlier, offering a whole new mode of experience. Durham: Duke University Press, 1999, Plus selected articles in a course packet, John Szwed, Jazz 101. Impulse Records is the legendary label that proudly delivered the "new thing" in jazz in the 1960s: avant-garde records from the likes of John Coltrane and Pharaoh Sanders. Sooner or later, you’ll start noticing the painted “Be Nice or Leave” placards around the city. [aka Four Lives in the Bebop Business, also Black Music, Four, Lives] Ann Arbor: University of Michigan Press, 2004 [1966], John Szwed, Space is the Place: The Lives and Times of Sun Ra. Trane’s masterwork, A Love Supreme, arrived in ‘65. With just enough trace elements of bebop and Hutcherson providing impressionistic overlay, Dolphy and his gang constructed an intense but inviting alternate-universe vision of jazz, letting the world at large know the New Thing had arrived. Your email address will not be published. Thiele had already produced a string of Coltrane albums by the time the restlessly searching saxophonist was joined by a full complement of avant comrades in the record racks circa 1964 when the New Thing really hit its stride. An examination of the new jazz that emerged shortly after the middle of the 20th century. The series paid homage to a generation of iconoclasts while revisiting a historic moment defined by intense artistic experimentation and political upheaval. In 1944, Miles Davis joined Charlie Parker's band (his idol), but it wasn't long before his … His nimbly serpentine solos tug at the harmonic foundations for just the right amount of friction. Unzipped Souls: A jazz journey Through the Soviet Union, 1995, Leo Feigin, ed. The New Orleans Jazz & Heritage Festival, better known as Jazz Fest, returns in 2021 on the weekends of October 8 and October 15 with a celebration of New Orleans’ culture, cuisine and, of course, music. Soul Jazz Records' New Thing! One moment he’s throttling a Latin vamp like a crazed mambo man, and the next, he’s gleefully dropping bop from a high-rise roof and reassembling its shards like a hip Dr. Frankenstein for his own thrillingly transgressive ends. Discussion will include the work of musicians such as Ornette Coleman, Cecil Taylor, Don Cherry, Anthony Braxton, Carla Bley, Albert Ayler, and the Art Ensemble of Chicago; the economics and politics of the period; parallel developments in other arts; the rise of new performance spaces, recording companies, and collectives; the accomplishments of the music and the problems it raised for jazz performance and criticism. Rejoined by Hill and Davis, with Joe Chambers manning the drum stool and James Spaulding and Freddie Hubbard added on reeds and trumpet, respectively, Hutcherson proves himself a poet of both vibes and marimba. In between bebop’s waning days and the full flowering of free jazz, a crafty cadre of forward-thinking artists gave jazz new wings. Featuring heavyweights Jazz artists on 2 discs such as Alice Coltrane, Art Ensemble of Chicago, Sun Ra and Archie Shepp along side many other lesser known, but equally important artist. midterm paper on a subject chosen through consultation with the instructor. In a 2017 interview for The Sound of Vinyl, Henry Rollins said, “It was a record that made me understand the possibility of music….every house should come with this record.”. Hard-bop trumpet hero Lee Morgan threw in with the New Thing crew too – he and McLean definitively debunk the old dog/new tricks maxim (despite his youth, Morgan had already made more than a dozen bop-centric albums under his own name). With so many options and many things to do all the time, narrowing the playing field can be a challenge. Whether this is your first time to New Orleans or you’re a seasoned visitor, the city’s invigorating spirit is sure to inspire, captivate and motivate you to jump in and see and do so much. 1) A short (4-5 pp.) With bassist Richard Davis and another heavyweight hard-bop trumpeter, Freddie Hubbard, completing the line-up, Out to Lunch is a Picasso painting of jazz in a funhouse mirror. 5.0 out of 5 stars 5. Check us out at 90.9FM, and now also at 90.7FM in Chicago's West Loop! Graham Lock, Bluetopia: Visions of the Future and Revisions of the Past in the Work of Sun Ra, Duke Ellington, and Anthony Braxton. His art has been featured in the New Orleans Jazz Festival, the Smithsonian Institute and the House of … Explore the largest collection of jazz recordings @ All About Jazz Pianist Dave Burrell, saxophonist Bobby Zankel, writer Francis Davis, and bassist Jamaaladeen … Or Tristano, Mingus & Giuffre. Best Blue Note Album Covers: 20 Groundbreaking Artworks, The Women of Stax: Five Unheralded Pioneers, Up To 11: The Songs That Inspired Heavy Metal, The Beatles’ ‘Get Back’ Documentary: Everything You Need To Know. A lot of credit goes to Bob Thiele, who took the former’s reins in 1961, and gave Coltrane – and then his retinue – plenty of elbow room, and even adopted “New Thing” as a marketing tag. that’s James Spaulding on Components, not Sam Rivers. In his Biographical Encyclopedia of Jazz, noted jazz writer Leonard Feather cited Mingus gushing over Dolphy, “He knew that level of language which very few musicians get down to.” Though the album would remain a milestone forevermore, it was Dolphy’s swan song. Week 7: Ornette Coleman, Cecil Taylor, The October Revolution (1964), part 2. In between bebop’s waning days and the full flowering of free jazz, a crafty cadre of forward-thinking artists gave jazz new wings. J. New Thing at Newport is a 1965 live album featuring two separate sets from that year's Newport Jazz Festival by tenor saxophonists John Coltrane and Archie Shepp. You don’t have to look any further than the album titles. 71-73 (2001-2002, 100-148, Norman Weinstein, "Steps Toward an Integrative Comprehension of the Art, Ensemble of Chicago's Music," Lenox Avenue, 1997, Scott Hreha, "Certain Blacks Dig They Freedom: The Legitimization of Avant-Garde Jazz, Ajay Heble, "The Rehistoricizing of Jazz: Chicago's Urban Bushmen and the, Problem of Representation," Landing on the Wrong Note, 2000, 63-88, Ben Looker, "Poets of Action: The St. Louis Black Artists' Group, 1968-1972,", George Lipsitz, "Like a Weed in a Vacant Lot: The Black Artists Group in St. Louis," in. In 1964, saxophonist Archie Shepp, a linchpin of the movement, told Downbeat magazine, “The new music reaches back to the roots of what jazz was originally. Last modified on Sun 21 Mar 2021 12.49 EDT Drumming is a matter of doing several different and difficult things at the same time, and Milford … And an overwhelming amount of the music was delivered by Impulse! The album-length suite uses open-ended structures, vocal chants, minimalism, drastic dynamic shifts, modal playing, and an overarching spiritual theme to redefine the possibilities not only for jazz but for music itself. ‘Made In Europe’: Earth-Shattering Rock From The World’s Loudest Band, The Punk And The Godfather: Chuck Berry On Ramones, Sex Pistols And More, ‘Just My Imagination’: Eddie Kendricks Bows Out With A Temptations Classic, ‘Rumor And Sigh’: The Word About Richard Thompson Gets Ever Louder, Esperanza Spalding Releases Healing 3-Track ‘Triangle’ Suite, Bankroll Freddie Releases New Album, ‘Big Bank,’ Featuring 2 Chainz And Megan Thee Stallion, Eric Church, Darius Rucker, Ashley McBryde To Star In Covid PSA, Iggy Pop Set To Appear In Film ‘Blue Iguana’, ‘Bluewerks’ Celebrates Travel-Themed Lo-Fi Compilation With Hong Kong Pop-Up, Deconstructing Jazz Music’s Most Influential Development. Evolution carries the cause further toward the fringes than McLean’s records, twisting the tunes into tantalizing shapes like a balloon-animal maker gone mad.